In later years, Bach added several works for any occasions he had omitted during the year. The cantatas are based on hymns by a wide range of poets, from early reformers such as Luther to poets of the 17th century.īach's last newly composed chorale cantata in his second year in Leipzig was Wie schön leuchtet der Morgenstern for the feast of the Annunciation on 25 March.Īlthough there are no accounts of the reception given to Bach's chorale cantatas by the Leipzig congregration, it is known that some of these cantatas were the only works that the city was interested in keeping alive after Bach's death.Ĭhorales also appear in chorale preludes, pieces generally for organ designed to be played immediately before the congregational singing of the hymn. In his second annual cycle in Leipzig, beginning with the first Sunday after Trinity 1724, he set out to compose a cantata for each occasion of the liturgical year. He began with O Ewigkeit, du Donnerwort and went on to compose forty chorale cantatas in that cycle until Palm Sunday of 1725.Īlso termed the "chorale cantata year", the cycle has been called "the largest musical project that the composer ever undertook". In Bach’s Chorale Cantatas, both text and music are based on one Lutheran hymn.
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